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frater works with painting as an object rather than a picture. she converses with the materiality of each piece in an effort to allow it to retain its voice. treating the surface of the canvas like fabric, frater folds to disrupt the forms she has painted on: the gestures of making are integral interests for frater, seeing the ways that these different gestures create different meanings. the ripples that result are a refreshing approach to grids, stripes, gradients, often used in abstraction. the large woven paintings are intensely physical, and the smallest ones are experimental in form and color.